After great reflection and consideration, we, as a group, decided that the best option was to re-film our opening sequence, introducing two new characters. Sarah was assigned the role of a college student, who turns out to be Charlie's next victim, without the audience seeing the outcome. Whilst I (James), was given the character of a Detective Inspector, who is also Sarah's brother. This relationship, further on in the film would give the film more depth, thrill and suspense as James (me) would naturally fear and defend his family (Sarah). We feel that the addition of these two characters, along side new edits would improve the quality of our opening sequence. Furthermore, it will relate further to our target audience who are within the age bracket of college students (16-25), therefore making the film seem more threatening as their age group are the main victims.
Saturday 19 January 2013
Initial idea and progression of ideas
Our initial idea revolved around two primary characters (a conventional protagonist and antagonist) whom created a relationship through an obsessive stalker mishap. Charlie (the antagonist) was initially Laura's (the protagonist) stalker whom he wanted to kill. After filming and gaining peer assessment feedback we soon realised that our original conventions and ideas of an opening sequence was more of a short film with a beginning, middle and end. After much consideration, we agreed it would be best to introduce more characters and more of a storyline to ease the audience into the film which was to come. This would in fact make them want to watch more of the film to figure out what has indeed happened to Laura. By changing the storyline, Charlie is now more of a serial stalker than just focusing on one person. This creates tension and also links back to one of our influences of Sherlock Holmes having that one mystery antagonist who has the power and mind set to kill many more than just one person. This alone is an enigma code. The introduction of more characters makes the film much more interesting and thrilling as more characters means that the audience do not solely concentrate on two characters. Thus, putting the audience on the edge as they do not know who is going to be attacked/victimised next.
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